“You’re the second donkey who’s tried blastin’ me away tonight, and like I tole the other fella, you got a lot to learn ’bout Black Lightning!”–Justice League of America #173 This week there was a disturbance throughout the geek “interwebs” after John Hugues at Comics Alliance published an article titled Outrage Deferred: On The Lack Of Black Writers In The Comic Book Industry. This has led to talk of Dr. Jonathan Gayles’s 2012 documentary, White Scripts, Black Supermen: Black Masculinities in Comic Books. We’re also fast approaching the anniversary of the birthday and death of black comic book pioneer Dwyane McDuffie. All of this has magnified the usual buzz on race in comic books. And it jogged my memory. Back in 2000, I actually wrote on this very topic, as part of a presentation for a friend’s Blacks in Media course. In the fast-changing world of comic books however, that is of course several dozen crossovers ago. Nevertheless, given all the recent talk, decided to dig up the article and thought, what the heck, it’d make a decent blog. Continue reading
Tag Archives: Racism
Steampunk Ida B. Wells-Barnett: Anti-Lynching, Anti-Victorian Crusader
“One had better die fighting against injustice than die like a dog or a rat in a trap.” – Ida B. Wells-Barnett
At a recent history conference, I had the fortune of attending a plenary titled “Mightier than the Sword: Conversations on the Life and Legacy of Ida B. Wells-Barnett.” The panel featured historians Mia Bay, Paula Giddings and Patricia Schechter (among others), all of whom have authored works on the famed anti-lynching crusader. Though I’d studied Ida B. Wells-Barnett previously, during the discussion I was once again struck by her intense radicalism, which ran counter to the sensibilities of gender, activism and racial justice that pervaded the times. As often happens, my historian’s mind wandered into the speculative–particularly steampunk, where the Victorian Age’s analogous twin across the Atlantic, what Mark Twain satirized as “The Gilded Age” and well into the later “Progressive Era,” carried a violent dark side that Ida B. Wells-Barnett dedicated her life to revealing.
Robert A. Heinlein- Letter from the Dean
“Nor do I feel responsible for the generally low state of the Negro—as one Negro friend pointed out to me; the lucky Negroes were the ones who were enslaved. Having traveled quite a bit in Africa, I know what she means. One thing is clear: Whether one speaks of technology or social institutions, “civilization” was invented by us, not by the Negroes. As races, as cultures, we are five thousand years, about, ahead of them. Except for the culture, both institutions and technology, that they got from us, they would still be in the stone age, along with its slavery, cannibalism, tyranny, and utter lack of the concept we call “justice.”–Robert Heinlein
Well at least he didn’t use the n-word…
Always Chaotic Evil- Confronting My Anti-Orc Bias
I’m a fantasy racist. There I admit it. It’s not entirely my fault. It’s what I was taught. From an early age, my fantasy godfathers and godmothers (well, mostly fathers actually), raised me to despise Goblins, Orcs, Trollocs and a host of other sub-human beings who tend to congregate in throngs, masses and “teeming hordes.” Let’s face it, when was the last time you met a “horde” that was “teeming” with good intentions? Right. I thought so. Vicious, mindless, perverse, prone to mayhem, pillaging and not above stewing other sentient beings in a cooking pot, I came to learn that there were precious few worthy qualities about any of them. The only good Orc is a dead Orc! Right….?
Black People on Mars: Race and Ray Bradbury
Prolific science fiction writer Ray Bradbury died this week, at the age of 91. I read my first Bradbury book in middle school–The Illustrated Man— and it *blew my mind.* It wasn’t my first speculative fiction book by any means. I’d long torn through Middle Earth, traveled Narnia, tesseracted across space and time with Meg and Charles Wallace and tried my hand at inventing with Danny Dunn. (Yeah, let those memories sink in). But the stories in The Illustrated Man were on another level–it was like everything I loved about the old Rod Serling hostedTwilight Zone episodes my mother got me into, but on paper…and with words! From the creepy virtual reality nursery story “The Veldt” to the hauntingly sad “The Exiles” (we made Santa cry!) to every-kid’s-revenge story “Zero Hour,” I knew I’d never look at sci-fi the same way again. Most startling of all was a story by Bradbury called “The Other Foot”–startling to my young PoC eyes, because the main characters were something I’d hardly seen before. They were black.
