Prolific science fiction writer Ray Bradbury died this week, at the age of 91. I read my first Bradbury book in middle school–The Illustrated Man— and it *blew my mind.* It wasn’t my first speculative fiction book by any means. I’d long torn through Middle Earth, traveled Narnia, tesseracted across space and time with Meg and Charles Wallace and tried my hand at inventing with Danny Dunn. (Yeah, let those memories sink in). But the stories in The Illustrated Man were on another level–it was like everything I loved about the old Rod Serling hostedTwilight Zone episodes my mother got me into, but on paper…and with words! From the creepy virtual reality nursery story “The Veldt” to the hauntingly sad “The Exiles” (we made Santa cry!) to every-kid’s-revenge story “Zero Hour,” I knew I’d never look at sci-fi the same way again. Most startling of all was a story by Bradbury called “The Other Foot”–startling to my young PoC eyes, because the main characters were something I’d hardly seen before. They were black.
Another Sunday, and the last episode of Game of Thrones–for all seasons must end. After last week’s epic Battle of the Blackwater, it was time for the writers to wrap up all the loose plot lines and leave us with a bevy of brand new cliffhangers. Some of these were completed quite well–fantastically, chillingly well! Others…not so much. As usual, minor SPOILERS to follow.
I attended an event at the Smithsonian this weekend called Asia After Dark: Afro-Asiatic Mash-Up. Held in the meditative Moongate garden, the evening featured a “mash-up” of Japanese vogue dance, theater, storytelling, hip-hop music and Afro-funk (Fela!) choreographed by visual artist iona rozeal brown. Among inventive cocktails, Japanese beer and floating origami lotus blossom lanterns, guests were invited to create masks using Asian botanical and Ashanti adinkra symbols from West Africa, while the highlight was a performance of soloist dancer Monstah Black–whose outfit was a dizzying array of Japanese Geisha meets Soulsonic Force topped off by a Gabon-Punu/Lumbo mask. Was pretty dope. And the only thing conspicuously missing in this Afro-Asian fusion was any mention of Wu-Tang Clan. Yet as novel and cutting-edge as all of this meeting of two seemingly un-related cultures and peoples may seem, it’s not really all that new. Asia and Africa have been melding and fusing for quite a long time.
*photo: (L) “…hold on…”–Erykah Badu, 2009 by artist iona rozeal brown- Courtesy of Robert Goff Gallery (R) Muhammad Khan, The Noble Ikhlas Khan With a Petition by Muhammad Khan (17th century), India. c. 1650. in San Diego Museum of Art