When, long ago, the gods created Earth
In Jove’s fair image Man was shaped at birth.
The beasts for lesser parts were next designed;
Yet were they too remote from humankind.
To fill the gap, and join the rest to Man,
Th’Olympian host conceiv’d a clever plan.
A beast they wrought, in semi-human figure,
Filled it with vice, and called the thing a Nigger.
–H.P. Lovecraft, On the Creation of Niggers (1912)
“Our personal history is often rooted in the identity of our families and what the writers of history, often the usurpers, choose to depict as historical fact. I try to reveal the distinct possibilities of these often conflicting allegories with imagery depicting the contradictions in historical fact, the omissions in historical academia, and the narrative of the imagination of the hope of ones place in history.”–artist S. Ross Browne
Painting- “The Huntress” 2010, by S. Ross Browne
“Socialism is the preparation for that higher Anarchism; painfully, laboriously we mean to destroy false ideas of property and self, eliminate unjust laws and poisonous and hateful suggestions and prejudices.”–H.G. Wells
Men in Black, my contribution to the recently published STEAMFUNK Anthology, explores the darker side of the Victorian and Progressive Era, a minor Steampunk tale (no airships, corsets or zombies) about a lynching, the arrival of a mysterious stranger, his fantastic machines and the fate of a small town called Blackwood.
Last week, Salon magazine’s David Sirota penned an article titled, “Oscar Loves a White Savior.” In it, Sirota noted that “If a movie features white people rescuing people of color from their plight, odds are high an Oscar will follow”–singling out current Oscar contender Lincoln and showing ten others in the past three decades that have done much the same. On some sites, and even CNN, the article was met with surprise, shock and (of course) spasms of denial. However, if anyone is unaware of the white savior motif, which has become a Hollywood staple, it’s only because of its troubling normalcy.
