“Our personal history is often rooted in the identity of our families and what the writers of history, often the usurpers, choose to depict as historical fact. I try to reveal the distinct possibilities of these often conflicting allegories with imagery depicting the contradictions in historical fact, the omissions in historical academia, and the narrative of the imagination of the hope of ones place in history.”–artist S. Ross Browne
I first saw the work of artist Kehinde Wiley at the Brooklyn Museum. It’s still there. You walk in, and on the left wall is an immense mural of a figure that looks somewhat like Tony Starks (Ghostface, not Downey Jr.), on horseback crossing the alps–a reworking of Jacques-Louis David’s 1800 oil-painting, Napoleon Crossing the Alps or Bonaparte at the St Bernard Pass.