A Kraken Gets Shortlisted for a Hugo and Wins a British Award

🦑 In recent good news, my 2023 short story How to Raise a Kraken in Your Bathtub”—a tale of colonialism, sea monsters, and men of ambition—is a finalist for the Hugo award (wow!) and a few weeks ago, won for Best Short Fiction at the British Science Fiction Association Awards! (Whuuut?!) Back when it was featured in January 2023 by Uncanny Magazine, it was my first published new short story in three years. So, these acknowledgments have been some wonderful surprises. Didn’t know this short story had legs—or in this case, tentacles! Below is somewhat of a repost from what I wrote back in January 2023 on the story’s origins and inspiration, with some updates on recent events.🦑

Image: “Le Poulpe Colossal,” drawing by Pierre Denys-Montfort, engraved by Étienne Claude Voysard, 1801

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Christopher Columbus: Our Original Invader from Mars

_invaders_from_mars_poster_Originally written in 2013, this is the final chapter in a three-part installment on Christopher Columbus beginning with The Other Explorers and Hunting Prestor John in the End Times. This post ponders how the destruction of the Americas, and the accompanying legacies of colonialism and slavery, help shape the fears of our popular imaginings–including science fiction.

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Appropriating The Self- Revisiting The Africa of Our Imaginations

200px-Imaro4In the wake of a controversy over who the culture of an entire continent belongs to within the context of its far-flung descendants (many quite involuntarily flung at that), I revisit a set of blog posts I wrote several years ago regarding speculative fiction, world building, “appropriation” and the Africa of our imaginations. Can one appropriate the self?

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Early Black Writers, Speculative Fiction and Confronting Racial Terror

BlakeIn the bleakest of moments African-American writers have turned to literature to confront racial terror and the trauma it could induce–turning to poetry, personal narratives, plays and novels. Sometimes, they even dreamed of the fantastic.

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People Are Alike All Over: The Human Zoo

humanzoogermanyIn the late nineteenth and early twentieth centuries, as race science blended with the new colonial imperialism, “human zoos” became all the rage in the west. Placed into “natural habitats,” adorned in “traditional dress” and sometimes behind bars, people from “exotic” lands were put on display for a gawking public. All of this to prove the racial theories of the day–that people after all were not alike all over.

Art- Poster of the “Peoples Show” (Völkerschau) in Stuttgart (Germany), 1928

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