
Prince was MAGIC ya’ll. Here… let me tell you why.

Harriet Tubman is finally set to grace the front cover of the $20 bill. For many it’s a dream come true, especially since folk been “dreaming of Harriet” for a minute.
Image: from a source I won’t name that seemed to be parodying black history with an allusion to “Harriet Tubman in space.” I am both jacking and subverting that sh*t.

So to kick off the new year, and following in the footsteps of fellow writer Troy Wiggins over at AfroFantasy, looking back on 2015 in my creative life–and what I might hope for in 2016.
This March, African-American indie author Milton Davis released his long-awaited Steamfunk adventure From Here to Timbuktu. Filled with heroes, heroines and (of course) all things steam, the story is set an alternate 19th century world where the United States shares North America with a nation of liberated slaves called Freedonia, Mali is still a powerful kingdom in West Africa and an ambitious Prussian officer has nefarious motives. It’s a fascinating, imaginative bit of world building that should be welcomed by everyone in the genre. Not so however for racist trolls, who live to crush black dreams.
A few years ago someone told me I was a Blerd. I had no idea what they were talking about. But (as I was then told) I’m black, I like SFF, and I talk about it a whole lot. So that makes me a Blerd. Okay. Fine. Whatevs. I didn’t really expect the term to catch on. I mean c’mon. Black + Nerd? Shows how much I know. Today Blerds are everywhere. There are Blerd sites, Blerd podcasts, Blerd blogs, Blerd meetups–you name it. Blerd has become a community. Blerd can maybe even be called a movement. Blerds are also remarkably diverse. And it turns out using one story to define them, may limit the full breadth of who or what they (we) can be.
Art: Phil Noto, Variant cover, Captain America