What do the hunt for a mythical Christian King of the East, a fabled river of African gold and fears of the impending Apocalypse have to do with Christopher Columbus? Turns out, quite a bit. The Age of Exploration has a weird speculative side.
Everyone knows that in 1492 an Italian sailor named Cristoforo Colombo sailed the ocean blue, stumbling across what we would eventually come to call the Americas. But while his voyage may have been the first of its kind, he was by no means the first explorer. With the exception of the Americas, the late medieval world from which Columbus emerged was one of long-established contact, as trade and curiosity sent out earlier explorers, seeking across both land and sea.
Much of the mental imagery we conjure of the non-Western world in the past century come from endless photos–often of varied peoples in fantastic headdress, wrapped in “exotic” clothing and striking regal poses. For artists, creators and those looking for “authenticity” or understandings of cultures and peoples seemingly “lost in time,” these images are invaluable. But how authentic are such glimpses of the past? Especially when constructed through a colonial lens? Can photos…lie?
“He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages, whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.”–Thomas Jefferson, Declaration of Independence July 4, 1776.
A minor kerfuffle on race and representation was kicked up following last Sunday’s season finale of HBO’s Game of Thrones.
Phenderson Djèlí Clark 