A few words on inspiration, plot and world building in my short story “The Angel of Khan el-Khalili.” A little bit Steampunk. A little bit Cairo. And Angels that grant miracles–of a sort.
A few words on inspiration, plot and world building in my short story “The Angel of Khan el-Khalili.” A little bit Steampunk. A little bit Cairo. And Angels that grant miracles–of a sort.
“The bourgeoisie is fearful of the militancy of the Negro woman, and for good reason. The capitalists know, far better than many progressives seem to know, that once Negro women begin to take action, the militancy of the whole Negro people, and thus of the anti-imperialist coalition, is greatly enhanced.”–Claudia Jones, “An End to the Neglect of the Problems of the Negro Woman!” (1949)
This March, African-American indie author Milton Davis released his long-awaited Steamfunk adventure From Here to Timbuktu. Filled with heroes, heroines and (of course) all things steam, the story is set an alternate 19th century world where the United States shares North America with a nation of liberated slaves called Freedonia, Mali is still a powerful kingdom in West Africa and an ambitious Prussian officer has nefarious motives. It’s a fascinating, imaginative bit of world building that should be welcomed by everyone in the genre. Not so however for racist trolls, who live to crush black dreams.