“A Space Knight Like Rom:” Hip Hop and Science Fiction Fantasy

bishop-doomUnlikely Mix: Rappers, Dragons and Fantasy. So read an article this past March in the Wall Street Journal. The story was on a new campaign strategy by HBO to reach out to a more “urban” demographic, by putting out a Hip Hop and reggaeton album craftily named “Catch the Throne” (see what they did there?). I like Hip Hop. I like dragons and fantasy. But something about this entire affair and the way it was promoted had me feeling “some kinda way.” Cue the Rains of Castamere.

*parts of this write-up were recycled from an earlier posted 2012 blog. opening art: emcees MF Doom and Bishop Nehru

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Already Royal: Reality Trippin’

maimouna-youssef-already-royal-video-lead-715x400Songstress Maimouna Youssef’s soulful cover We’re Already Royal not only puts Lorde’s original to shame, it complicates the young New Zealander’s Grammy winning track’s entire narrative. It flips the script, becoming a type of alternate surreal reality that (after closer inspection) we realize is really our own.

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My Own Personal Judas: Revisiting Jesus Christ Superstar

Carl Anderson JudasSometime in the mid 1990s, around Easter, I stumbled upon a VH-1 showing of the film adaptation of Andrew Lloyd Webber and Tim Rice’s rock opera Jesus Christ Superstar. I caught it in the middle, but I sat mesmerized, watching what appeared to be a rag-tag bunch of 1970s hippies and yippies singing and dancing a passion play. In the desert (!?) Before I knew it, the film had ended. But, being VH-1, it naturally started up again. So I watched it a second time. A few hours later I couldn’t deny it. I was hooked. And most shocking of all, the character who affected me the most wasn’t the guy playing the requisite Lord and Savior. It was Judas.

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An Ode to the Anti-hero

staggerlee_mIn 1900 a black laborer named Robert Charles set off a massive manhunt after an altercation with New Orleans police. Before all was done, Charles would shoot well over 20 whites sent to apprehend him, killing several. Altogether, 28 people (the exact number is truly unknown) would die in riots, including Charles, who made a last stand in a burning building. The violence that surrounded him continued to swirl and claim others even after his death. The last turbulent days of Charles life would make him a monster to many and a folk hero to others. For black musicians, he became one of the legendary “bad men”–those near mythic black anti-heroes of superhuman capabilities, whose acts of defiance were both celebratory, captivating and frightening.

painting: Cruel Old Stagger Lee, by Van Orno

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