In the film Django Unchained the character Stephen is fashioned in the image of the imaginary Tom, the faithful Uncle of Birth of a Nation (1915)…an enduring myth of the Old South that still permeates American folklore.
Django Unchained, director Quentin Tarantino’s ode to 1970s Blaxploitation flicks and the famed Italian spaghetti westerns of the same name, tells the story of the freed slave Django (Jamie Foxx) who goes on an orgy of revenge killings to rescue his wife Brunhilda (Kerry Washington) from her sadistic owner. Set in the American South two years before the Civil War, Django (though in many ways a western) is rooted in slavery–it is the film’s backdrop, the driving force behind the plot and what creates both heroes and villains of its main characters. Yet the slavery of Django bears only a passing resemblance to the slavery of our national past. Rather, it is the slavery of popular folklore, social mythology and age-old Hollywood caricatures–the slavery of our imaginations.
A lengthy post for a lengthy film. As always, spoilers.
How an Icelandic indie folk band won me over with a tale of steampunk, magic and monsters.
What happens when a stand-alone novel gets turned into a prequel in reverse? You get fighting dwarves, a sword-wielding hobbit, a rabbit-pulled-sled and an albino orc henchman…of course. What? You thought a barely 300 page children’s book was going to be enough to churn out three sprawling cinematic “money-in-the-bank” features? You must have been smoking that half-ling leaf….
Some spoilers to follow….
“Africans unite to save Norwegians from dying of frostbite. You too can donate your radiator and spread some warmth”
So it’s rare, very rare, that I do back-to-back blogs. But once in a while, something so delicious and overflowing with blog-worthiness pops up on your radar–and demands a write up. The recipient today is the super-snarky and wonderful video “Africa for Norway.”
Phenderson Djèlí Clark 